Tory Lanez enlists on two guest features with A Boogie Wit Da Hoodie & Yoko Gold on “Sorry 4 What”.
“I am in an open case and maybe I make this sh*t look really beautiful, but I am facing 24 years, I’m making sh*t look beautiful, don’t I? But guys, I am actively facing 24 years next month,” Tory Lanez said as he dropped his new album Sorry 4 What and this article will be the review of his latest venture.
Tory Lanez is being blackballed because of the Megan The Stallion shooting but his album isn’t showing any signs of it as it is set to get top position. Let’s see how the album pans out and what is my review of the album.
https://www.instagram.com/reel/CjHe9gRvT6i/?utm_source=ig_web_copy_link
After almost a year after his previous release, Tory Lanez is returning with a whole new project. Lanez’s previous two records may have leaned more toward the R&B style, but now with “Sorry 4 What,” he goes back to his lyrical and hip-hop origins.
I believe Tory Lanez is the artist that best knows the style of music that hip-hop fans are looking for. Although it seems easy, it’s actually rather difficult. I believe Tory is aware of the melodies, content, aggressiveness, and rhythms that will relate to us. To be more precise, let me say that I believe Tory is aware of the types of sound, content, intensity, and outdoes that will resonate with us. Does it now seem simple to understand that?
Among the numerous subjects covered in “Sorry 4 What” are desire, heartache, destructive relationships, narcotics, and booze. Classic slower compositions like “S*x Songs” are played to arouse passion. As in “This Ain’t Working,” Lanez’s voice is packed with passion and conveys anger in those tracks about toxicity. This Disc has outstanding productivity levels and composition. Although the CD does contain a few sluggish sections, the quality of the other songs more than compensates for it. This album radically differs from his previous one, particularly in terms of sound. “Alone At Prom” was a more advanced music album with a strong 80s influence. It appeared to be an experiment by Lanez. “Sorry 4 What,” on the other hand, takes it back to the current decade while retaining an intriguing soundtrack.
With “Hennessy Memories,” becoming drunk is pretty simple. The song has an extremely seductive melodic chorus, deep rap lines that will actually feel like a sound that has a hazy vibe to it, and verses that properly explain how you feel after consuming a specific quantity of alcohol.
Lanez truly embodies the title of the song “Hurting Me” in it. With lines like “Shot in my heart and left my feelings with me, bleedin’ in ’em,” he makes it very obvious what upset he is by this destructive relationship thru his irate voice.
What’s awesome about “No More Parties in LA”? With its sleepy times, it puts you to snooze, but with its violent instants, it awakens you up in a hurry. The scenario is really a very realistic depiction of what it is like to be high on a broad range of recreational drugs while partying.
Tory Lanez at his finest in “Why Did I?” He rewards us all with appealing tunes as well as rap lines that complement his boastful words in very distinct ways. For instance, in the first, he seems like a hard-working man who needs a pleasant Friday, yet in the second, he sounds as if he hates those who work 9 to 5. Nonetheless, I believe this song has a lively atmosphere and a terrific bop.
Tory Lanez declares his love for ladies in “Not Tricking / Black Keys.” The song’s major selling points are its incredibly infectious melody, unbelievably hard raps, and a rhythm that blends soothing R&B vibes with a pleasant little bounce.
The entire length of “Anymore / F**k Boy Intentions” is 7:35. The song has many entertaining performances from Tory Lanez, which is awesome.
Tory Lanez alternates between a confident person with a spring in his stride and a sensitive vocalist who requires love to function well in the opening portion of this song (“Anymore”). He switches back and forth in the song’s second half between a snarky singer-rapper, a haughty/blunt rapper, and an angry vocalist.
In “Casa-Freak-Ho*s,” in contrast, he indulges his more lewd side. In a rap song, Lanez discusses how females who drink Casamigos invariably end up with other women. “Casamigos, ladies, they transform into crazy h**s” This album has a recurring topic of Casamigos; it is mentioned in several songs and has a tune called “Red Casamigos” as well.
Let’s be real: Most of us would tap out if we had to walk a day in Tory Lanez’s shoes. He has a bunch of Twitter users, a bunch of celebrities, a bunch of bloggers, and a bunch of regular Joes that don’t like his ass. You at least have to acknowledge how well Tory has handled himself. In “The Vent,” Tory gets a chance to speak on just about everything he has dealt with in the past year. Throughout the song, he spits relentlessly over a chill beat, almost sounding like a First Take guest that is intent on cutting off Stephen A.
Tory Lanez’s creativity has been on full show in recent years. For this record, he focuses on a “Nice For What” vibe and a near R&B feel. On the whole, I appreciate the tremendous intensity that the production of this album gives from beginning to end. This album features A Boogie Wit Da Hoodie and Yoko Gold. Tory hasn’t collaborated with many individuals on his works since his mishap with Megan Thee Stallion. That appeals to me. While I like Yoko Gold’s efforts to “Collection,” I wasn’t a fan of A Boogie’s contributions to “Role Call.”
Tory Lanez is an absolute beast. Whenever he wants to rap, he goes in boldly, without worrying if you think he’s a legitimate vocalist. When he wants to increase pressure as a rapper, he delivers powerful lines. He is a true artist who excels at both singing and rapping.
