Lil Baby’s new album “It’s Only Me” features Future, Pooh Shiesty, Nardo Wick & more.
Our Rating 9.6/10
Lil Baby’s third full-length album is out now. His fourth solo mixtape, Street Gossip, and a collaborative effort with Gunna helped him gain popularity after breaking through his first album, Harder Than Ever, in 2018. Then, a few weeks before the COVID-19 outbreak caused the world to come to stop, he released his second album My Turn.
Lil Baby makes a comeback this Friday with his follow-up studio album, It’s Only Me, two years after the release of his chart-topping, four-times RIAA platinum-certified album My Turn and one year after his The Voice of the Heroes collaborative album with Lil Durk.
After serving a two-year prison sentence in 2017, Young Thug persuaded Lil Baby to switch from crime to music, and things have been going well for the Atlanta rapper ever since. Numerous top tens have been achieved by him, he has established himself as a go-to cameo artist, and most lately, he has emerged as one of the most well-known and acclaimed performers in his own state.
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The 23-track compilation gets off on a high note with the opening track. He has a long list of accomplishments, and Baby isn’t hesitant to flaunt them, as seen by the phrase from Real Spill, the first track on his most recent album It’s Only Me, “I know I’m the motivation, they see me, they see a hero.” Before Lil Baby starts to play over with roaring percussion about how his tremendous fame has altered his life for the better, a sampling of Sade’s melancholy “The Big Unknown” sets the scene. “Real Spill” is a firmer yet contemplative trap opening about how he’s in an entirely different mentality now, whilst “Stand on It” takes a more extravagant approach, actually believing in every statement he makes. He will not really forget his origins, but he lets his dizzying tone cloud and occasionally conceal his narrative. But One thing is certain: Lil Baby is a man of character.
Over one of the album’s most demanding melodies, Lil Baby unleashes one of his sharpest verses. The music switches with an adrenaline-pumping switch-up to complement Nardo Wick’s dirty, ominous performance. Lil Baby subsequently returns to his threatening rhythm and delivers the chorus at a hoarse speed similar to Nardo’s. Producers King LeeBoy, Harto Beats, and Hoops provide the servo drums for Lil Baby’s trademark stumble rhythm, which is all about not allowing the little stuff to ruin his vibe. Regardless of the naysayers or his fiercest detractors, Lil Baby has his sights set on the goal and is enjoying the results of his effort. When he plays the song live, the chorus should undoubtedly win him over to a new army of admirers. Continuing on to “California Breeze,” Baby reflects on witnessing on him over another sample-based trap composition from Murda Beatz before the stripped-back portion. For Lil Baby’s life to flip a fresh leaf, she must go from Atlanta to the West Coast. Lil Baby has experienced a nice life, pleasant weather, and incredulity that his journey has completely changed thanks to fame. It’s the ideal tune to put on while taking a nocturnal ride in the lash. In my opinion, Lil Baby’s singing on the track ought to be given the true MVP award. He doesn’t just drop a catchy melody; he also raps with a relentless style that makes it impossible to disagree with him on love, money, or haters.
While listening to “Never Hating,” I made sure my expression didn’t contain any happiness. You can tell right away that the song wasn’t created lightly because to the sound’s incredibly serious vibe. The best part is that Young Thug and Lil Baby both catch the rhythm at the hoop. The two rappers use fast and powerful rhyming skills in their different verses to invite smoke and display their competing sides. Lil Baby makes it evident that he is watching out for shady characters and parasites in his area. Thugger, in contrast, hand, speaks to the people who are concerned about his extravagant style. A mumbled and unsettling sound sampling used in the song’s production by Bizness Boi and Fortune Beats sets the scene for a heartbroken Lil Baby. He’s engaged in a covert love triangle, entertaining his beloved, and expressing his sadness with a slightly lower voice range. Lil Baby had one of his sincerest, gentler performances as a result on the full piece. When rappers venture beyond their comfort zone and learn are my favorite. Having said that, “Forever” has a greater effect than any other Baby song I’ve heard in the past two years. Over it, you get overly impassioned vocals from newbie Friday and insightful lines from Lil Baby, who emphasizes his tumultuous and erratic relationship with his girlfriend.
Beginning with breezy piano notes, Baby is teamed with Rylo Rodriguez, a deep-voiced 4PF artist, to celebrate where the two are at this moment on Cost To Be Alive. They’ve overcome obstacles in the neighborhoods and jail sentences to live in wealthy neighborhoods and pursue their goals of becoming rap artists. However, it’s one of the set’s worse songs since it lacks some personality.
As we transition to Top Priority, Lil Baby reaffirmed how becoming famous has caused him to change his priorities. He provides for his family back home, therefore he will not really engage in online lifestyle activities or obsess about trivial rumors. He is investing, receiving the top honours in music, and certain that nothing or no one will stand in the way of his achievement.
Lil Baby is up against everyone in “Danger.” He takes certain to call out those who questioned his ability to maintain his focus through the song. He also wants to make sure to let everyone know that he is solely concerned about his home and his squad, that he is making big dollars, and that he gets women. I adore the arrogant yet determined attitude with which Baby raps, which nicely complements the soap opera-like pace of the song. It is lovely to listen to. On the smash song Back And Forth, Lil Baby, EST Gee, a rapper from Louisville, and producer Tay Keith team up. The artists trade bars for two minutes on their ascent to fame and also how, even before the rap industry, they respected each other’s position and communities. The partnership will continue to be repeated.
“In A Minute” is definitely my favourite song on this album.
Can you imagine how stressed the individual who created the “Pound Cake” rhythm was? There is no pressure at all.” It’s because “In A Minute” has an inverted version of the “Pound Cake” rhythm, and as predicted, Lil Baby glows like a WD40-sprayed carpet over it. Produced by Kaigoncrazy and Haze, Lil Baby has the opportunity of being on the highest level of his career and occupying platforms with other musical giants on this single, but he’s no newcomer to the price of recognition and what he’s given for celebrity status. On the track, he honors his jailed homies and identifies himself as a designated one who is rewriting the paradigm.
Shiest Talk features Lil Baby and rapper Pooh Shiesty over a baritone basic percussion beat to convey that there is no but turmoil in the streets. They’ve watched friends murdered, battled with cops, and realized the only way out is to pursue their rap talents sincerely. It’s a simple progression of Lil Baby’s growth.
As he is a father now, Lil Baby understands his personal family’s future is positive. His life has come back to where it started, from his origins in Atlanta to his current status as one of the world’s most successful music artists. Lil Baby is working hard to keep No Fly Zone like this. At the same time, he emphasizes his intention to lavish his princess with the best of life, given that he possesses the wherewithal to do so, over the song’s pounding drumbeats.
weathered the loss of many friends and relatives, yet he enjoys owning properties, rising up the ranks with pals like Gunna, and making his grandmother proud. Russian Roulette is not over-the-top in production in the world, but it sets the atmosphere for forgiveness.
As someone who has been critical of Lil Baby in recent months, I feel confident in declaring that he delivered with this album. This ep has a slew of high-intensity Lil Baby-esque rhythms. Trap rhythms with a lot of drama. If something ain’t true, don’t repair it, in my opinion. But I will say this: I enjoyed it when Lil Baby went just outside of the box slightly.
Lil Baby is a GOAT when it regards putting on outstanding rap acts. Though he rants on occasions, he rarely fails to wow with his tenacity, intensity, empathy, skill, and great flows. I also enjoy the way Baby raps in a commanding manner that makes you think what he says is accurate or real. Overall, the Atlanta rapper has turned into an individual who has us all on a tether.
The album seems to build some momentum but then fades away in the conclusion. This could’ve been an obvious masterpiece if Lil Baby had shredded four or five songs from the entire tracklist. He’s being a stronger actor, as seen by a few of his recent cameos, and that’s the situation here as well; it’s just that the production is a bit weaker than it was when we last heard from him two and a half years ago. I wasn’t certain that anybody had the hip-hop world in a stranglehold even before the album came out, but now that I’ve listened to it, I’m certain that Baby still controls it for the moment.
